Tarantino: kill Is Love

A visual essay that highlights top-down shots from Wes Anderson's filmography.

When characters stare at the camera in the films of Alfred Hitchcock, the look is almost always associated with the threat of death (through the eyes...

Filmmaker Kogonada reflects on women and mirrors in the films of Ingmar Bergman.

People constantly appear walking through passageways in the films of Japanese filmmaker Yasujirō Ozu (1903-63). His art resides in the...

Scorsese Mirrors reflect emotions, revealing truths. A cinematic journey through the power of glass.

In Paul Thomas Anderson's lens, close-ups reveal emotions, unfold secrets, and storytelling power resides in subtle expressions.

On the seventh day, the TV showed the young man somewhere at another time, but he did not notice. On the sixth day, the man just found himself on TV.

Cleverly conceived and artfully edited, Christian Marclay's 7 1/2-minute video, Telephones, comprises a succession of brief film clips that creates a...

Found footage supercut, mashup of Hungarian feature films about the 1956 revolution.

The fragility of Earth's future, the uncertainty of life are among the core concepts director Páraic McGloughlin explores in this video for...

A supercut of television’s The First 48. (Aaron Valdez)

The story of the mythical figure Luis Ortuzar, aka El Chincol, one of the most important players of poetry singing in Chile.